Composer in Residence
Composition Competition 2022
We are delighted to announce the applications are now open for the Composition Competition 2022! For full details on how to apply and entry deadlines, please follow the link at the top of this page.
Entrants should submit 2 compositions: one may be for any medium, and one should be written for an ensemble of at least 5 instruments. Works for orchestra are not required but are encouraged. Scores should be submitted in printed/handwritten format in traditional notation. If possible, additional electronic file copies of the score in Sibelius would be welcome. The pieces will be judged but not performed.
The Competition is open to applicants who have been in statu pupillari at Cambridge University within the last ten years.
Entry deadline: 9:00am – Friday 4 February
Please contact Will, firstname.lastname@example.org, with any questions!
We look forward to receiving your applications!
CUMS Composer in Residence 2019-20
Apostolis Koutsogiannis was born in 1994 in Athens, Greece. Having received the A.G Leventis Foundation Scholarship, he is currently studying composition (Mphil) with Richard Causton at the University of Cambridge, UK. In 2017 he completed his undergraduate studies in composition with Giorgos Kyriakakis at the University of Macedonia, achieving the highest honors.
He has received commissions from institutions such as the Greek National Opera, Thessaloniki Concert Hall, Athens Concert Hall, University of Macedonia, Girls’Choir of St Catharine College, Atlas Lab, Gaudeamus Academy, and Municipality of Heraklion/Crete. His music has been or will be performed in many countries, among others, by ensembles such as the Atlas Ensemble, Athens String Quartet, BCMG, Ligeti Quartet, Sokratis Sinopoulos Quartet, Orchestra of the University of Macedonia, Cretan Youth Orchestra.
Listen to Apostolis’ music here.
Benjamin Graves‘ works have been performed widely, either by himself as clarinettist or others, across the UK and abroad. Heard in venues in Royaumont and Aix-en-Provence, France; Darmstadt, Frankfurt and Freiburg, Germany; Basel, Switzerland; and Aldeburgh, Birmingham, Cambridge, Durham, Oxford and London’s Air Studios, Barbican, LSO St. Luke’s, the BBC’s Maida Vale Studios, The Place, Southbank, St John’s Smith Square and the Wigmore Hall. Broadcasts include BBC Radio 3’s In Tune, BBC Radio Scotland, Soho Classical and Resonance 104.4 FM. Festival premieres include the Aberdeen Sound, City of London, Celtic Connection and Aldeburgh festivals. Notable ensemble performances include Ensemble Recherche, The Riot Ensemble and orchestral works for the LSO and RSNO. His choral anthem Surely He Hath Borne Our Griefs won first prize in the Queens’ College and Homerton College, Cambridge Composition Competitions. He is currently undertaking a PhD in composition at Cambridge University under Richard Causton, fully and generously funded by the Arts and Humanities Research Council.
Listen to Benjamin’s music here.
Our thanks go to Robin Holloway and Richard Causton for judging this year’s competition. The standard of entries was extraordinarily high and their job was not an easy one.
We are delighted to announce that Michael Boyle has won our 2018 competition and will be our Composer in Residence for 2018-2019.
Michael is a composer from Shropshire, and is currently based in London. He seeks to develop the concept of music as a constantly shifting environment, with a focus on the ability of music to fully capture natural forms thanks to the progress in compositional technique and technology over the past century.
Drawn to a variety of composers who demonstrate immense control over their initial creative impulses, he is influenced particularly by innovative structural and harmonic ideas and the exploration of non-sonic phenomena in music. Through study with Richard Causton at Cambridge, and then with Alessandro Solbiati at the Conservatorio del Verdi Milano, he has developed a compositional voice which is clear, dramatic and evocative.
Michael read for an MPhil in Music at Gonville & Caius College, graduating in October 2017. His music has been performed in venues ranging from Clare College chapel to the Museo Novecento Firenze, and by ensembles including the Goldfield Ensemble, members of the BCMG, the Ligeti Quartet and GAMO.
We are very grateful to Robin Holloway and Richard Causton for judging this year’s competition.
William Cole is a composer and conductor from London. Notable recent works include The Bells of Lübeck, featured at the Bournemouth Symphony Orchestra’s 2017 Composers Day, Her Face Was Full of Woe for Royal Harpist Anne Denholm, and Versa Est in Luctum for the Britten Sinfonia. He has also worked with ensembles including Kokoro, CHROMA, Psappha and the BBC Singers. In 2015 he was awarded the Lord Mayor’s Composition Prize, and as Yeoman of the Worshipful Company of Musicians regularly gives composition workshops in London schools.
William’s conducting activities focuses on new music and collaborative work. He is Music Director of Filthy Lucre, an immersive mixed-genre night with whom he has worked with artists from dance, film, and performance poetry in music from Scelsi to The Clash. He has also worked with ensembles and companies including Ensemble Linea, Ensemble X.Y., Helios Opera, Opera Lyrica, Pop-Up Opera and Gestalt Arts Collective in a wide range of core and contemporary repertoire, including many world premieres.
He studied at Clare College, Cambridge and currently studies at the Royal Academy of Music with Philip Cashian.
Jonathan Woolgar is a composer. He is particularly interested in music as drama and music for the stage, and his work draws from a wide range of musical experience, aiming to engage every kind of listener.
Jonathan has had works performed at the Bridgewater Hall and the Royal Albert Hall by ensembles such as Manchester Camerata, Onyx Brass, Aurora Orchestra and the Helsingborg Symphony Orchestra, as well as broadcast on BBC Radio 3. In 2010 he won the BBC Proms Young Composers’ Competition. His music has been recorded for commercial release by the choir of Fitzwilliam College, Cambridge, and he also enjoys close associations with contemporary music ensembles The Hermes Experiment and Khymerikal. Jonathan is Composer in Residence at Eton College for 2015-17, and will be Composer in Residence for the Cambridge University Musical Society in 2016-17. His one-woman opera, Scenes from the End, ran in London and Edinburgh this summer, while future projects include performances at St Mark’s Basilica, Venice and St John’s Smith Square.
Whilst currently based near London, Jonathan originally hails from Pontefract in West Yorkshire. He attended Chetham’s School of Music, Manchester from 2008-10, studying composition and conducting with Jeremy Pike and Gavin Wayte. From 2010-13 he read music at Fitzwilliam College, Cambridge where he graduated with First Class Honours and studied composition with Giles Swayne, going on to study with David Sawer at the Royal Academy of Music.
Read an interview with Jonathan on the CUMS Blog.
Joy completed her BA and MPhil degrees in Music and Composition at Clare College, Cambridge, graduating in 2015. Her first string quartet was premiered by the Arditti Quartet and she won the Ralph Vaughan Williams Prize in 2014. In 2015, she won the Sir Arthur Bliss Prize for her M.Phil at Cambridge and from 2016 she will be completing her PhD at King’s College, Cambridge. She is supported by the AHRC and will be an Honorary King’s College Vice-Chancellor’s Scholar for the duration. She will also be Composer in Residence at Cambridge University Music Society for 2016-17.
Joy is also active as a cellist and has performed as soloist with artists including Dame Emma Kirkby, Alexander Baillie, Howard Williams and the Wihan Quartet and given recitals in venues such as the Amsterdam Concertgebouw, Queen’s Hall Edinburgh and the Southbank.
In 2017 she has been selected to open the Park Lane Group Recital Series at St. John’s Smith Square, for which she will perform a solo recital including two premieres, one of which will be her own composition specially commissioned for the occasion.
This coming season also includes return engagements at Cheltenham Pump Room, St George’s Bristol, West Road Concert Hall and the Leipzig Gewandhus, performances of Prokofiev’s Sinfonia Concertante and the Brahms Double Concerto as well as a Schubert Quintet tour with the Allegri Quartet.
Read an interview with Joy on the CUMS Blog.